Afouss Hofoss
In December, I was invited to an artistic residency for a week during the #4 edition of Massa Stories, founded by the artist Margaux Derhy, an annual residency project initiated in 2019. Dedicated to fostering collaboration between Francophone visual artists and the local community in the village of Sidi R’bat, Morocco. Committed to promoting cultural exchange and artistic inspiration amidst the serene landscapes of the Souss Massa region.
In this endeavor, I envisioned the creation of an embroidered piece on a canvas crafted from sheep wool sourced from the Souss Massa region.
Drawing inspiration from the vibrant cultural tapestry of the region, I undertook the process of fabric dyeing using henna, a practice deeply ingrained in the local customs. The on-site application of henna not only added an authentic touch to the fabric but also symbolized a connection to the land and its traditions.
For the embroidery itself, I utilized threads predominantly dyed using natural methods in Marrakech by Camille Bertrand.
Henna (Lawsonia inermis) is an ancient dyeing plant with a history of over 3000 years, associated with various magical and religious rituals. Its color ranges from orange to brown-red and is traditionally used by women for decorating their hands, as well as for coloring and writing messages on fabrics, clothing, and upholstery.
My work revolved around creating artworks depicting the hands of Amazigh women from the embroidery workshop, intertwining in a spirit of sisterhood.